Erebus is a way-under-the-radar (in the West at least) TOTL IEM, with an overall performance paralleling or besting many other legends such as Traillii and more. Here are some of my impressions about this fantastic IEM, excerpted from my Head-Fi review of Erebus:
It has a premium build. The Erebus shell feels like a small piece of polished marble. The plate design is not super attractive, and I never would have chosen this on looks alone. Erebus has a more comfortable than any other IEM I have tried except Fei Wan. I could have Erebus in all day and barely notice.
Erebus has a relatively relaxed sound, but it has some verve, scales extremely well, works with just about any type of music, for any mood I brought to it.
It features a largely uncolored, very slightly warm, reference-ish sound (its bass strength and upper mids energy keep it from being what I imagine truly reference style to be).
At first it does not sound really special, rather just very good, but with more extended listening, the full scope of how impressive and top-shelf Erebus is becomes clear.
Erebus features a balanced W shaped sound. All parts of the FR are distinct and still coherent, unlike some other W shaped IEMs like Rn6 that to me sounded slightly less coherent.
Erebus’ sub bass has punch and snap, and is articulate and tactile.
There is a medium amount of mid bass that comes up to lower mids just enough to bring them a bit forward and add depth and a little warmth. No muddiness across the spectrum.
Erebus’ mids provide just the right amount for vocals and acoustic instruments to assert their space well and not be left behind, as can be the case with Loki in particular. Erebus’ mids are neutral-ish but still have excellent texture. To go beyond the set of four in these impressions, and going from memory, I find Erebus' mids not to be as warm and romantic as Trailli's. I find its mids however to be as detailed and similar-charactered as Mentor's.
The upper mids can be energetic at times, though not peaky and generally not fatiguing. This quality lends urgency to many vocals, which 90% of the time is welcome. Still, I would prefer it was dialed down. At points the danger zone is approached, but never fully entered into thankfully.
Erebus has fantastic treble, not dry but rather neutral to slightly sweet, loads of air with just the right sparkle, softened crispness, medium extension, zero sibilance, not at all fatiguing. Very close to Annihilator 23’s class-leading treble, I would say 95% of it, just lacking a very slight bit of the superior transient snap that Anni possesses.
Erebus provides a largely neutral sound, slightly warm with minimal color. It presents music how was intended perhaps (as overused an expression as that is).
Superb technicals, right up there with the very best as an entire presentation.
Excellent layering and separation of instruments, better than the other three, in spite of their excellence. Superior imaging as well.
Compares to other staging class leaders like Fei Wan, Traillii, and Mentor, which has massive 360 holographic staging, more than Erebus.
Dynamics are solid but Fei Wan is a dynamics monster, and Erebus isn't quite at that level. It is on par with Anni and Loki's dynamics performance.
Excellent detailed transients, particularly acoustic and brass instruments. Overall top-shelf resolution, as well as speed and dynamics.
Maybe the best part of Erebus’ performance is with vocal-focused music. Up and down vocal ranges, it scales so well, so many Wow moments. All across the vocal spectrum, I hear excellence of pacing, timbre, intonation, detail.
Best music genres for Erebus: All of them! (or at least all the genres I listen to). Jazz and bass vocal sound superb. Classic rock, modern rock, pop, dance pop: all excellent. I suspect classical would sound terrific, though I don’t listen to it. Live music sounds fantastic, spacious, holographic, dynamic.
Erebus is a bit of a slow burn as far as recognizing its amazing qualities. After a handful of listening sessions of "this is good but not great" and allowing Erebus to burn in, it became very evident what a special IEM this is. Erebus rewards patience, but not too much is required.
I can find only a few flaws for my preferences. One would be the plate design, not a big deal for me but still it is not attractive. The lack of recessed 2-pin connector ports is not great. It is expensive at $4700US retail. The other nitpick is the energy in the upper mids, which if they were slightly reduced would make this the IEM I could quit the hobby with. Even still, it very well could be if that sad day were ever to come.
Hopefully more people will get to hear Erebus. It is first-rate and should be in the conversation when we all debate which are the TOTL of TOTLs in the IEM world.
I’ve been fortunate to experience a range of IEMs across different price brackets—everything from the lofty Traillii Ti and UM Amber Pearl to the more budget-friendly (and often polarizing) KZ models. My journey with Campfire Audio began when I got the chance to listen to the Ponderosa, an all-BA IEM with an engagingly bombastic sound signature. It instantly hooked me, and I dove deeper into their lineup, falling for the Moon Rover’s unique charm and the Bonneville’s gorgeously immersive mids.
When I heard about their collaboration with Alessandro Cortini, my interest was immediately piqued. After patiently awaiting its release, I can confidently say the Clara has exceeded all expectations.
With its four-driver configuration, the Clara delivers an exceptionally cohesive and dynamic sound. The bass is authoritative and impactful without overpowering the spectrum. Vocals are forward with impressive depth and texture, while the treble is delightfully airy, free from any trace of sibilance. The tuning strikes a fine balance between musicality and tonal accuracy, making it a versatile performer across genres.
It’s a phenomenal all-rounder that handles everything you throw at it with finesse. Bravo to the team at Campfire Audio and Alessandro Cortini for creating something truly special.
And as always thanks for MusicTeck for their outstanding service.
small gripe of no L/R indicators and doesn't say what way they are supposed to go (none of my IEM's have the 2 pin notch so took a bit to figure out orientation)
I don't think any of my IEM's are particullarly sensitive so a cable shouldn't change their sound and I didn't notice a difference
build is fantastic and looks nice though
👉🏻Pros:
😊 Semi custom black acrylic shells with machined aluminum faceplates fit comfortably in my ears and offer excellent ambient isolation.
(Fit is subjective)
😊 Unassuming 2 pin black SPC cable terminated 4.4mm pairs very well sonically.
😊 Very easy to drive.
😊 Reflects the tuning nuances of source devices, but not device fussy.
😊 Well layered mid and sub bass.
😊 Smooth, rich and detailed mids.
😊 Exquisite natural vocals.
😊 Precise airy highs with outstanding micro detail.
😊 While not extremely expansive, the intimate stage fills the head, has a dead silent background, and precise imaging and layering.
👉🏻 Cons:
😔 Semi Custom shell design may present fit challenges for some.
😔 No tolerance for poorly recorded source files.
I owned the original VE EXT back when it was first released.
I really liked the strong bass presence and exceptional detail.
They weren’t exactly V shaped but pretty strong U shape tuning.
Unfortunately I found the highly energetic mids and highs fatiguing during lengthy listens.
It was a hard choice, but I sold them a couple months later.
I was immediately interested when I saw the EXT MKII was being released.
Revised semi custom shell with smaller nozzle diameter
A more refined low frequency range with greater accuracy and detail.
Enhanced mids and vocals clarity and a more balanced presentation.
I couldn’t resist, and have no regrets.
The MKII is without a doubt more refined and better balanced.
I would say it still has a mildly U shaped signature.
The mids energy is deceptive. The super quiet background has virtually no noise, and that makes it easy to push the volume high, without noise or distortion.
At high volumes I can still fatigue over long listening sessions (I am mids sensitive)
There is really no need to push the volume high, every note and nuance of the music is there at moderate volumes.
At moderate volumes it is very easy to engage and drift into the music for lengthy multi hour listening session with no hint of fatigue.
The EXT MKII is definitely a positive improvement over the OG EXT. At least it is for for my preference.
This one’s a keeper and will be with me a very long time.
Well done Vision Ears! 👍🏻
Thank you Andrew and Grace for the always excellent customer service, and providing a source for high quality audio gear.
I received the amplifier and was impressed with the build quality. I was very pleased when I heard the first notes and have been satisfied with my purchase ever since. Music Tec is a great company to do business with.
This little dap sounds incredible. One of the most beautiful sound I ever heard from a little dap. Hard to put it down. Easy to drive hps using the 2.5mm or the 4.4mm output this dap rocks! I've tried with some of my hps like the denon d9200, hifiman ed. X, and just wow...ridiculous good. The bt sennheiser momentum 4 sounded great also, will be bringing it to the gym. It didn't play well with the focal utopia. Also for some reason the denon d7000 3.5mm jack adapter did not work well. It must be easy to drive then. Overall it's a great experience. The UI can be a bit slow at times.